Multichrome Music

Multichrome Music is my website dedicated to concert photography, live reviews and promoting musical events such as concerts and festivals. The title aims to reflect the wide variety of musical genres, each of them having their own characteristics and therfore, specific color ranges. At the beginning, this project was entitled Monochrome Music and focused on capturing black and white images of musicians while performing. In order to be able to include color photographs as well, I decided to change the name and transform it into Multichrome Music. The term multichrome reflects the multitude of color shades in the case of color images as well as the multitude of shades of grey contained by a black and white image.

The images included in this portfolio have been shot in Romania and in the United Kingdom.
In June 2013 I will be shooting the bands performing at Hellfest ( http://www.hellfest.fr/ ) taking place in France.







Multichrome Music website: http://www.multichrome-music.com/

Personal website

This website contains my portraiture work, divided into different categories such as images taken on location, studio work, the pin-up project, monochrome images of musicians and conceptual photos.

On location portraits:

Portraits of musicians:

Studio work: 

The Pin-Up Project: 

Conceptual shoot: Pearl Boudoir 

Website: http://www.andramihailescu.co.uk/

Collaboration with Metal Forces Magazine

In September 2012 I have sent aproximately 100 emails to online publications in order to obtain collaborations which would allow me attend concerts in the UK and be present in the photo pit.
I used my portfolio build during the summer of 2012 in Romania, where I attended 4 festivals as accredited photographer.

Metal Forces Magazine was the only one to give me a postitive response and I have been collaborating with them ever since. My photographs have been published on the website and I intend to continue producing work for them. At the moment, I am not paid for this activity.

 http://www.metalforcesmagazine.com/site/























Plans for next year

My plans for the next year evolve around the MA course I have been accepted on at Westminster University in London. The course is based on Photojournalism and shall last 1 year.
I have applied for this course and January 2013 and the process included writing a personal statement, sending them my CV, references written by a tutor and an employer.
That was the first stage of the application process. After aproximately two weeks, I received an email from the Universtity asking me to send them a portfolio of images in order to be evaluate. I decided straight away that I was going to submitt concert photography related imagery.

The photos I submitted were the following:















Yet again, two weeks later I received an email informing me that I was selected for an interview via Skype with one of the tutors on the course. Words cannot describe how excited I was.
The interview was great. We talked about photography in general, what my practice is about, why I choose to submit concert photography in particular and what my future career plans would be. 

After the interview, on the exact same day, I received a conditional offer letter informing me that I had been offered a place on the course, starting with September 2013. In order to achieve that, I have a 2.1 or a 1st degree. I am doing my best in order to fullfill that request. 

Moving to London is going to be good for my practice and career because the opportunities and jobs are increased. In addition to that, concerts take place in London on a regular basis and attending them whilst living in the city would definitely make things easier for me as I wouldn't have to travel as much as I do at the moment, communting from Thanet. I am looking forward to that. 

Reflection of proposal

With regards to the proposal submitted for the Live Brief I believe I successfully managed to complete it and obtain a series of images which represents the concept I was aiming for. Promoting the rockabilly culture and the pin-up attitude were my main points of focus.
The series of images was published on the rockabilly.ro website and I am glad that I was able to contribute to that by means of my photographs.

Completing such a project meant that I needed to put a team together. There was no way I could have achieved these results without collaborating with other artists, models and brilliant people. Ana Maria Oana, president of the Rockabilly Romania Association was the co-ordinator of the project because she could provide me with an essential connection to Romania. I planned the entire thing whilst being in the United Kingdom and only went back home for the actual shoots.

I also had two designers on board, who provided us with some of the outfits. They are both amazing artists and I wish to thank them for their help. One professional make-up artist also joined the crew and provided the make-up for the first shoot, which took place on 16th February. The other 3 models were in charge of their own make-up and hair styles. On the days of the shoot, they all looked perfect. Thank you ladies! It was a pleasure working with you.

I did not have access to a studio in Bucharest which meant that I had to get in contact with someone who ownes such a creative space in order to get the work done. I found a person who is also a freelance photographer, owner of an excellent studio. I asked him if I could use his studio along with the backdrops and lighting kits and he allowed me to do so.

On the days of the shoot everything went smoothly. There were of course some moments of increased stress and tension but in the end, it was alright. I also had a person assisting me on the two days and he did an excellent job helping me with anything I needed. From changing the backdrops, to testing the light and playing around with the different light sources.
I have realised how essential the role of an assistant is. He/she makes everything so much easier when the sufficient amount of experience is gained.

This shoots have by far been the most complex ones I have organized untill now. It was a brilliant experience and I would do it all over again if I had the chance to do so because it was all worth it. I met awesome people, collaborated with talented artists and practitioners and last but not least, managed to create some connections which will hopefully help me in the future with my career.

Were there things I wish I had done differently? Of course! There is always room for better. The first one concerns myself as a practitioner and my ability to connect with the model in front of my camera. At one point I was so focused on getting the exposure, framing and lighting right that I forgot to pay attention to the model and how she was posing. I only realised my mistake when post editing the images and by that time, nothing could be done. The consequence was that I couldn't use some of the images in my portfolio because of the unnatural feeling created by the model's pose.

The other aspect would be planning and telling the models what time they should attend the shoot. On the second shoot I had three models and I asked them to come to the studio all at the same time. Looking back, I should have done things differently. Allowing myself 1 hour between the shoots would have been a wise thing to do. The reason I say that is beacuse one of the models ended up waiting about 20 minutes, all dressed up and ready to pose. That happened due to the other two models being photographed. The solution to this problem was finishing half of the shoot with the first two models, then photographing the third model in her two outfits in order to avoid keeping her waiting. After that she was free to go and attend the other appoitments she had in her schedule.

To sum up, I would say that this live brief has brushed up my skills, developed my sense of planning and organizing shoots, dealing with under pressure situations and last but not least, learing how to a successful creative practitioner. I intend to continue experimenting with pin-up photography because it is a subject matter worth exploring. The final images were used by the models, make-up artist and myself in portfolios and by the co-ordinator on the rockabilly.ro website. I retain the copyright for the photographs and therefore, I am able to used them however I see apropriate. Two of the images produced were submitted to 2 competitions (Adobe Awards and Duggal B&W contest).
I'd also like to state that my target was reached and my mission of creating images with a 1950's feeling was accomplished. 


Epica - Isaac Delahaye

I got the following message from Epica's guitar player Isaac Delahaye:



This was the requested image: